The Art Of INTERROGATION
I was lucky enough to be invited to perform at Celestial Studio for their flagship event ‘Circus Maximus’. The theme for this event was ‘Ultimate Uniforms’ which suited me perfectly, I didn’t have to give this a second thought, I was going as a soldier.
I’ve always been intrigued by interrogation and intense, gritty CNC roleplay scenarios, though I hadn’t yet experienced a truly hardcore interrogation scene—until now! With my partner in crime, Tory Tease, we planned for the performance to include waterboarding and inverted suspension with dunking in a bucket of water, sure to motivate my prisoner to give up vital information.
To set the scene for the crowd, a friend read out the following:
Blackline are an elite, private military unit, contracted by the British Government for highly secretive and entirely deniable operations. By the very nature of their work, operatives are highly motivated, skilled and utterly ruthless. They will stop at nothing to achieve their mission.
Operation Celestial was launched last year, in the wake of the events of 7/3 to identify, disrupt, defeat and execute agents that pose and unacceptable threat to jeopardise national security.
A particular foreign agent, code name ‘Taurus’ has been identified by Blackline as conducting espionage activities on British soil. It is thought that ‘Taurus’ has sold classified information to other Nations. What information and to which nation that is, is as yet not known. Blackline will do whatever it takes to find out…they have no limits.
As eerie music played in the background, the performance started with my co-performer carrying Tory Tease into the room on his shoulders, her head covered with a sandbag and her wrists in metal shackles. Before the audience, we manhandled her into the vintage dental chair and secured her with chains, preparing her for the interrogation. The atmosphere in the venue was palpable, intense, and attentive.
We started interrogating our prisoner about the secrets she had shared with other nations, but she was clearly not going to cooperate. It was time to increase the pressure. We tilted the chair back, positioning her horizontally, setting the stage for waterboarding. As she struggled and writhed in her restraints, wearing her inmate vest, we explained what was about to happen, yet she continued to resist. There was no other option; we had to initiate the infamous interrogation method known as waterboarding. Grabbing a plastic bottle filled with cold water, I placed a cheesecloth over her face and began pouring the water over it. The effects were immediate—Tory was thrashing, coughing, spluttering, and gasping for air. Although we had rehearsed to minimize the risks, this was an extreme practice, and her real suffering was inevitable.
Despite the severity of the situation, she remained determined and refused to divulge the information, so we decided to increase the pressure. We planned to hang her upside down by her ankles and gradually lower her into a bucket of cold water using an electric hoist. If that didn’t compel her to reveal the information, nothing else likely would. We quickly altered the setup, and with her now suspended upside down, hands bound behind her back, the dunking commenced.
The atmosphere was charged with tension as the crowd watched intently, the room utterly quiet except for the splashes of water and Tory’s screams when she wasn’t submerged. I must admit, I was incredibly anxious as well; there were many potential pitfalls. Balancing Tory’s safety, the scene, and the performance for the audience was a significant challenge. We continued to dunk the prisoner and on the fifth dunk she gave up, she shouted the name we were looking for and she escaped further interrogation.
Reflecting on the performance, I realized that there were lessons I had already known and implemented, but this experience reinforced them. CNC play involves inherent risks, and effective communication is crucial when planning a scene. We rehearsed several times and even did a dress rehearsal. Although the audience was unaware, we had established non-verbal communication as our safe word, which is essential in CNC play. Fortunately, we had it in place because Tory had to signal to me, when she needed a minute, I mean who wouldn’t when getting waterboarded in front of a crowd!
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Tom Baker BDSM
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Filming With ObjectXX
From an outsider’s perspective, a few days of filming might seem like a dream, and it certainly is enjoyable, but don’t underestimate the hard work involved. By its very nature, BDSM can be hazardous, whether it involves bondage, discipline, sadomasochism, or a combination of these elements, clear communication needs to be the foundation. Planning a shoot starts months ahead, focusing on clear communication about preferences, boundaries, and limitations. I design my scenes to suit each model, ensuring they enjoy the shoot, the content is high-quality, and it aligns with my brand. Fortunately, ObjectXX is a seasoned model and JJF creator. Having filmed with him before, I have a good understanding of his likes and capabilities, which made planning the scenes much easier.
ObjectXX stayed with me for three days, giving me plenty of opportunity to keep him in chastity and continuously tease him. I was pleased to learn he had recently bought a Behind Barz chastity belt and intended to wear it in the days leading up to the shoot. Even before we began filming, he was extremely horny by just being locked in his cage, so I aimed to make that the main focus and tease him as much as possible.
In my dungeon, my little chastity boy was kneeling, eager to engage in some intense Master and slave scenarios with me. I had him stripped from the waist, showing the chastity belt as I began my verbal control over him. I instructed him to worship my boots, enforcing his role as a locked chastity boy while his tongue began its work on the leather. As I ran my hands over his exposed skin, I could sense the anticipation growing, his submissive moans slipping from his lips as I gripped his neck and described my plans for him, whispering into his ear. It wasn’t long before I secured his hands behind his back, took some tape from the shelf, and wrapped it around his mouth; I know how aroused he becomes with a tape gag.
That night, I told him to take off the chastity belt because I planned to put him in tight bondage while teasing him. He ended up restrained in rubber bondage, secured with ropes beneath the suspension frame in my dungeon. I added a rubber hood designed for breath control, with just three tubes for breathing, giving me total control over him. I wore a rubber catsuit, though he couldn’t see me, but I made sure he could feel my presence as I started teasing and edging him. Whether I allowed him to climax, well, that’s something you’ll have to wait to discover.
One of my favourite scenes from our shoot included elements of rubber, bondage, chastity, feet, and teasing. After Object removed the chastity belt, he was instructed to wear another chastity cage. As my little rubber chastity boy, he was tied to the bed and gagged with a large gag while I playfully teased and tormented his body using my bare feet. I even removed the chastity cage to give him a foot job, but ultimately left him denied.
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THE PIT
For many years I imagined an all-male BDSM play event where there were no restrictions! I wanted
an event where people could walk around completely naked if they wanted or dress in their best
fetish gear. Most fetish events are located in nightclubs or bars, an event like what I imagined could
never happen in a place like that. What we need is dungeon, but not a small one, we need one that
is large and can comfortably accommodate around 100 people
.
This event needs to be in a dungeon because in a dungeon you find BDSM furniture, BDSM
equipment, fetish gear, suspension points and dark corners. Only a venue like that could we see a
large group of men immersing themselves into scenes and as you walk around the venue you’re
surrounded by the sounds of laughter, cries of pain, the cracking of whips and moans of pleasure.
In 2024, I brought my idea to life by creating The Pit, an all-male BDSM play event hosted at Celestial
Studios near Derby. As a relatively new event, The Pit is still evolving and hasn’t fully become what I
initially envisioned, but it’s still early in its journey. In March 2025, I will host the second event,
featuring a slave auction. Picture participants gathered in the shadows of the dark dungeon, the
slaves are held in a cage, resigned to whatever fate awaits them. The dominants scan their potential
prey, searching for any hint of resistance or fear as they determine which slave to claim. And so, the
bidding begins.
The slave auction has already been very popular with many of the ticket holders applying to take
part in the auction as a slave. I’m still deciding how they will be presented to the crowd. I think it
would be very apt if they were all wearing very little with shackles around their ankle and wrists and
then all chained together!
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Written By
Tom Baker BDSM
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FIND ME ON JUST FOR FANS